Project: broken jewelry into necklace

What you’ll need:

One piece of lace (about 12 inches long)
One keyhole (you can purchase these at your local hardware store for $2.39 for 2 of them)
Broken jewelry (you’ll need chain of some kind) shells, and/or trinkets
Jump rings

1.  Tie the lace to the top hole in the keyhole, so that the lace is even on either side.
2.  Place four jump rings onto the bottom hole of the keyhole.
3.  From the jump rings, attach pieces of chain, of varying lengths.
4.  Attach jump rings onto the ends of each chain.
5.  From bottom jump rings, attach the shells, trinkets, single earrings, etc.
6.  Tie the lace onto the back of your neck, and voila!

source: Venus Zine

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Sex, steam, and steel: Ani Niow’s SteamVibe

Here

Steam Vibe
Ani Niow (steamfuck.me) has created the most perfect marriage of the above, by creating the SteamVibe, a hand-machined steam-powered vibrator. The piece was machined out of a solid hunk of stainless steel (no easy task), and fitted with the world’s itty-bittiest Tesla Turbine (if you’ve never heard of a Tesla Turbine, check it out). It’s truly a wonderful bit of engineering- the Tesla turbine is hard to create even in larger sizes, and this one is fitted into the base of the shaft. It uses a set of smooth disks in it’s mechanism- and in a stroke of brilliance, Ani used high RPM dremel disks.
Steam Vibe
The whole she-bang is powered with steam from an as-yet-to-be-completed external boiler.
It’s is luscious itself as an object. It’s heavy in your hands (or, I assume, other places), and cold- until you turn the steam on.It’s sleek and damn sexy- 50s retro-futurism, android-porno-scifi, and steampunk. Also, shiny.
Steam Vibe

More pictures

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Update to Tesla Preservation

You can donate here:

http://www.teslascience.org/pages/application-101.htm

I’m kicking down afew bucks. It would be a shame for this to disappear.

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Today in history

This day in 1937 the Hindenburg caught fire, efectively bringing to an end the age of transatlantic zeppelins.

hindenburg_burning

Thanks Miss Carriger!

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A Battle to Preserve a Visionary’s Bold Failure

By WILLIAM J. BROAD source: NY Times

 

Published: May 4, 2009
In 1901, Nikola Tesla began work on a global system of giant towers meant to relay through the air not only news, stock reports and even pictures but also, unbeknown to investors such as J. Pierpont Morgan, free electricity for one and all.

Dickenson V. Alley/Burndy Library

REMNANTS OF A DREAM Nikola Tesla in a multiple-exposure photo in 1899, as a Tesla coil discharged millions of volts. A science group wants to preserve the remains of his lab. More Photos »

Multimedia

Map

Tesla’s Long Island VisionSlide Show

Tesla’s Long Island Vision

 Podcast: Science Times

BON VIVANT Tesla, circa 1907. He was celebrated for his inventions, but he also made bitter enemies. More Photos >

It was the inventor’s biggest project, and his most audacious.

The first tower rose on rural Long Island and, by 1903, stood more than 18 stories tall. One midsummer night, it emitted a dull rumble and proceeded to hurl bolts of electricity into the sky. The blinding flashes, The New York Sun reported, “seemed to shoot off into the darkness on some mysterious errand.”

But the system failed for want of money, and at least partly for scientific viability. Tesla never finished his prototype tower and was forced to abandon its adjoining laboratory.

Today, a fight is looming over the ghostly remains of that site, called Wardenclyffe — what Tesla authorities call the only surviving workplace of the eccentric genius who dreamed countless big dreams while pioneering wireless communication and alternating current. The disagreement began recently after the property went up for sale in Shoreham, N.Y.

A science group on Long Island wants to turn the 16-acre site into a Tesla museum and education center, and hopes to get the land donated to that end. But the owner, the Agfa Corporation, says it must sell the property to raise money in hard economic times. The company’s real estate broker says the land, listed at $1.6 million, can “be delivered fully cleared and level,” a statement that has thrown the preservationists into action.

The ruins of Wardenclyffe include the tower’s foundation and the large brick laboratory, designed by Tesla’s friend Stanford White, the celebrated architect.

“It’s hugely important to protect this site,” said Marc J. Seifer, author of “Wizard,” a Tesla biography. “He’s an icon. He stands for what humans are supposed to do — honor nature while using high technology to harness its powers.”

Recently, New York State echoed that judgment. The commissioner of historic preservation wrote Dr. Seifer on behalf of Gov. David A. Paterson to back Wardenclyffe’s preservation and listing in the National Register of Historic Places.

On Long Island, Tesla enthusiasts vow to obtain the land one way or another, saying that saving a symbol of Tesla’s accomplishments would help restore the visionary to his rightful place as an architect of the modern age.

“A lot of his work was way ahead of his time,” said Jane Alcorn, president of the Tesla Science Center, a private group in Shoreham that is seeking to acquire Wardenclyffe.

Dr. Ljubo Vujovic, president of the Tesla Memorial Society of New York, said destroying the old lab “would be a terrible thing for the United States and the world. It’s a piece of history.”

Tesla, who lived from 1856 to 1943, made bitter enemies who dismissed some of his claims as exaggerated, helping tarnish his reputation in his lifetime. He was part recluse, part showman. He issued publicity photos (actually double exposures) showing him reading quietly in his laboratory amid deadly flashes.

Today, his work tends to be poorly known among scientists, though some call him an intuitive genius far ahead of his peers. Socially, his popularity has soared, elevating him to cult status.

Books and Web sites abound. Wikipedia says the inventor obtained at least 700 patents. YouTube has several Tesla videos, including one of a break-in at Wardenclyffe. A rock band calls itself Tesla. An electric car company backed by Google’s founders calls itself Tesla Motors.

Larry Page, Google’s co-founder, sees the creator’s life as a cautionary tale. “It’s a sad, sad story,” Mr. Page told Fortune magazine last year. The inventor “couldn’t commercialize anything. He could barely fund his own research.”

Wardenclyffe epitomized that kind of visionary impracticality.

Tesla seized on the colossal project at the age of 44 while living in New York City. An impeccably dressed bon vivant of Serbian birth, he was widely celebrated for his inventions of motors and power distribution systems that used the form of electricity known as alternating current, which beat out direct current (and Thomas Edison) to electrify the world.

His patents made him a rich man, at least for a while. He lived at the Waldorf-Astoria and loved to hobnob with the famous at Delmonico’s and the Players Club.

Around 1900, as Tesla planned what would become Wardenclyffe, inventors around the world were racing for what was considered the next big thing — wireless communication. His own plan was to turn alternating current into electromagnetic waves that flashed from antennas to distant receivers. This is essentially what radio transmission is. The scale of his vision was gargantuan, however, eclipsing that of any rival.

Investors, given Tesla’s electrical achievements, paid heed. The biggest was J. Pierpont Morgan, a top financier. He sank $150,000 (today more than $3 million) into Tesla’s global wireless venture.

Work on the prototype tower began in mid-1901 on the North Shore of Long Island at a site Tesla named after a patron and the nearby cliffs. “The proposed plant at Wardenclyffe,” The New York Times reported, “will be the first of a number that the electrician proposes to establish in this and other countries.”

The shock wave hit Dec. 12, 1901. That day, Marconi succeeded in sending radio signals across the Atlantic, crushing Tesla’s hopes for pioneering glory.

Still, Wardenclyffe grew, with guards under strict orders to keep visitors away. The wooden tower rose 187 feet over a wide shaft that descended 120 feet to deeply anchor the antenna. Villagers told The Times that the ground beneath the tower was “honeycombed with subterranean passages.”

The nearby laboratory of red brick, with arched windows and a tall chimney, held tools, generators, a machine shop, electrical transformers, glass-blowing equipment, a library and an office.

But Morgan was disenchanted. He refused Tesla’s request for more money.

Desperate, the inventor pulled out what he considered his ace. The towers would transmit not only information around the globe, he wrote the financier in July 1903, but also electric power.

“I should not feel disposed,” Morgan replied coolly, “to make any further advances.”

Margaret Cheney, a Tesla biographer, observed that Tesla had seriously misjudged his wealthy patron, a man deeply committed to the profit motive. “The prospect of beaming electricity to penniless Zulus or Pygmies,” she wrote, must have left the financier less than enthusiastic.

It was then that Tesla, reeling financially and emotionally, fired up the tower for the first and last time. He eventually sold Wardenclyffe to satisfy $20,000 (today about $400,000) in bills at the Waldorf. In 1917, the new owners had the giant tower blown up and sold for scrap.

Today, Tesla’s exact plan for the site remains a mystery even as scientists agree on the impracticality of his overall vision. The tower could have succeeded in broadcasting information, but not power.

“He was an absolute genius,” Dennis Papadopoulos, a physicist at the University of Maryland, said in an interview. “He conceived of things in 1900 that it took us 50 or 60 years to understand. But he did not appreciate dissipation. You can’t start putting a lot of power” into an antenna and expect the energy to travel long distances without great diminution.

Wardenclyffe passed through many hands, ending with Agfa, which is based in Ridgefield Park, N.J. The imaging giant used it from 1969 to 1992, and then shuttered the property. Silver and cadmium, a serious poison, had contaminated the site, and the company says it spent some $5 million on studies and remediation. The cleanup ended in September, and the site was put up for sale in late February.

Real estate agents said they had shown Wardenclyffe to four or five prospective buyers.

Last month, Agfa opened the heavily wooded site to a reporter. “NO TRESPASSING,” warned a faded sign at a front gate, which was topped with barbed wire.

Tesla’s red brick building stood intact, an elegant wind vane atop its chimney. But Agfa had recently covered the big windows with plywood to deter vandals and intruders, who had stolen much of the building’s wiring for its copper.

The building’s dark interior was littered with beer cans and broken bottles. Flashlights revealed no trace of the original equipment, except for a surprise on the second floor. There in the darkness loomed four enormous tanks, each the size of a small car. Their sides were made of thick metal and their seams heavily riveted, like those of an old destroyer or battleship. The Agfa consultant leading the tour called them giant batteries.

“Look up there,” said the consultant, Ralph Passantino, signaling with his flashlight. “There’s a hatch up there. It was used to get into the tanks to service them.”

Tesla authorities appear to know little of the big tanks, making them potential clues to the inventor’s original plans.

After the tour, Christopher M. Santomassimo, Agfa’s general counsel, explained his company’s position: no donation of the site for a museum, and no action that would rule out the building’s destruction.

“Agfa is in a difficult economic position given what’s going on in the global marketplace,” he said. “It needs to maximize its potential recovery from the sale of that site.”

He added that the company would entertain “any reasonable offer,” including ones from groups interested in preserving Wardenclyffe because of its historical significance. “We’re simply not in a position,” he emphasized, “to donate the property outright.”

Ms. Alcorn of the Tesla Science Center, who has sought to stir interest in Wardenclyffe for more than a decade, seemed confident that a solution would be worked out. Suffolk County might buy the site, she said, or a campaign might raise the funds for its purchase, restoration and conversion into a science museum and education center. She said the local community was strongly backing the preservation idea.

“Once the sign went up, I started getting so many calls,” she remarked. “People said: ‘They’re not really going to sell it, are they? It’s got to be a museum, right?’ ”

Sitting at a reading table at the North Shore Public Library, where she works as a children’s librarian, Ms. Alcorn gestured across a map of Wardenclyffe to show how the abandoned site might be transformed with not only a Tesla museum but also a playground, a cafeteria and a bookshop.

“That’s critical,” she said.

Ms. Alcorn said the investigation and restoration of the old site promised to solve one of the big mysteries: the extent and nature of the tunnels said to honeycomb the area around the tower.

“I’d love to see if they really existed,” she said. “The stories abound, but not the proof.”

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Shipments are delayed at this time

For anyone awaiting parcels, our shipping department has been hit with Swine Flu (seriously). Our trade takes us far away and to many places with people of many homes and as such, we’re prone to exotic circumstances. I’m told that at least some of us should be better in about three days so shipments are delayed.

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Blog overhaul

Since GOTH Magazine is officially no more, this style blog will be taken over by Leuticia Beasley, first private on the SS Clockwork. Be sure to stay tuned for her (mis)adventures and torrid tales of plunder and fashion.

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Item of the Day

16337719_00_b

Timeless Weathered Wood jewelry cabinet, with barred-front hinge door; latch closure; sturdy and stable base and short hooks inside for your pretty little things. Sit it atop your table or hang on the wall!

$36 here

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Item of the Day

15953011_00_b

California based artist Jen Lobo creates intricate and imaginative animal-focused artwork (with human themes – like good vs evil) to fulfill her great affinity for all things feathered and furry, avian and aquatic. This print features a devilish whale pushing a boat up and out of the water. It’s digitally transferred by our very own print company, PrintRun, onto canvas and then stretched over a substantial wood frame, where it wraps all the way around – giving the piece depth and attracting interest from all angles.
$74 here

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Steam Powered Beasts Battle for the Greatest Prize: CG CHALLENGE XXIII, ‘Steampunk – Myths & Legends’

The greatest stories ever told get the Steampunk treatment. Almost 2000 digital artists created steam powered monsters and mayhem to win over $220,000 worth of prizes.

Adelaide, South Australia (PRWEB) February 26, 2009 — The winners of the CGSociety’s CGChallenge XXIII: ‘Steampunk – Myths & Legends’ have been announced. Digital artists, from many nations, battled to claim the biggest prizes ever offered. Over US$220,000 worth of software and hardware were available in many categories, including Video, Animation, Modeling and Illustration. To win, CG wizards had to give a Steampunk edge to famous stories and legends – to create a future that could have been; an age when steel and steam propel machinery, men and monsters.

News Image

Steampunk is a thriving fantasy genre, which merges advanced steam age technology with a modern or science fiction setting. It also covers works set in an era where steam power is still widely used, such as 19th century Victorian England. Think Jules Verne, H.G. Wells or Kashuhiro Otomo’s ‘Steamboy’.

The winners of the three main prize categories all showed outstanding technical ability along with world class storytelling skills, and a complete understanding of the genre.

The Image (Individual) Master was awarded to Fabricio Moraes for his ‘Steamnocchio’, a reinterpretation of Pinocchio. “This image just totally nails the steampunk theme,” said judge Leigh van der Byl. “The technical quality is simply fantastic too.” The excited artist replied, “I felt so great and could never imagine I could possibly win this competition, actually I still can’t believe it. I got inspired by so many great artists.”

The Video (Team) Master award went to Bonsaininja Studio for ‘EMET’, a film that was “inspired by the legend of the Golem; telling the story of Rabbi Loew, who created an animated being entirely from inanimate matter to defend the Prague ghetto.” “Epic,” exclaimed filmmaker Anthony Lucas, while Simon Dominic, his fellow judge, said that he felt “like I just stepped out of the cinema.” Philip Straub, from EA, simply said: “Outfreakinstanding!”

The Individual Video Master was awarded to Tyson Ibele’s ‘Hemlock’. Judge Michael Dashow said the film had a “great mood set throughout the entire piece. The lighting, camera-work, and sound were wonderfully effective, and the ending was terrific.” The winning artist said “the competition was very close due to the large number of high-quality entries… this challenge theme allowed for a lot of creativity, and since I’ve wanted to do a film set in the steampunk universe for a while now, it was a perfect motivator.”

“We now have digital artists of diverse skills working together to create astounding works of art and entertainment that are world class,” summed up Mark Snoswell, President of CGSociety. “This is how it should be – it’s not how you create a work, it’s the quality of the finished work and its impact on viewers that is important.”

Prizes were also awarded in Video, Animation, Art Direction, Best Character, Compositing and Editing, Concept Art, Digital Painting, Landscape Matte, Lighting, Modeling, Sculpture, Texture, VFX and Illustration categories.

CGChallenge XXIII was proudly sponsored by BOXX, Autodesk, NVIDIA, Wacom, SOFTIMAGE, Luxology, Pixologic, Craft Animations, SideFX, e-on Software, Corel, Stash Media, The Gnomon Workshop, ImagineFX, Ballistic Publishing, Esperient, and CGSociety.

A full list of winners and their winning entries can be viewed at the CGSociety website as well as details of previous CGChallenges.

Judges
The judges came from the game, film and illustration world, and included masters from Blizzard, EA, and the Jim Henson Company. Judges were Michael Dashow , Anthony Lucas , Grzegorz Jonkajtys, Simon Dominic, Brom, Coro, Phil Straub, Brajan Martinovic, Mark Snoswell, Kerry Shea, Leigh A. van der Byl, and Anton Fletcher.

About CGChallenge XXIII
CGSociety, one of the internet’s largest computer artists’ communities, holds regular competitions with many of the world’s best digital artists competing. This, the 23rd CGChallenge, exceeded all past challenges in the quality of entries, number of contestants and the prize pool. 1,966 challengers submitted 9,410 submissions over almost 3 months of collaborative competition. The CGChallenges are work in progress competitions, in which entrants are required to show their work as it develops from concept to completion. They are hosted within the CGSociety online community, attracting enormous attention and feedback from the world’s digital arts community.

About the CGSociety:
The CGSociety is the most respected and accessible global organization for creative digital artists. The CGSociety supports artists at every level by offering a range of services to connect, inform, educate and promote, by celebrating achievement, excellence and innovation in all aspects of digital art. The CGSociety, along with its sister organisation Ballistic Publishing, is a division of Ballistic Media.

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Stainless Steel Stilettos: The Latest in Polio Victim Chic

Tuesday, Mar. 3 2009 @ 8:31AMBy Gendy Alimurung steelstilettos
These 100% stainless steel stilettos look a lot like the braces polio victims used to wear. I see these and think, “Run, Forrest, Run.” As if womens’ footwear isn’t painful enough. I mean, who designs these things? David Cronenberg? These sick little guys also come in a version with gold padlocks on the straps. They cost $350 here

Source: LAWeekly

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